Herman Melville lived in a farmhouse at the foot of Mount Greylock in Pittsfield, Massachusetts. The author observed the mountain every day through his chamber window. One winter’s day he visualized the hump of a sperm whale on Greylock’s hillocks and hills, “a grand hooded phantom, like a snow hill in the air.” He wrote most of Moby Dick at his farmhouse, named Arrowhead.
Greylock is a mountain with a sea of forests, crests, and slopes—greens and blues quietly cruising out. Thoughts might float here, might sail out to the wilderness, might find safe harbor, or sink into the darkest valley.
In GREYLOCK, darkness pervades Alexei Georg, a classical pianist who cannot live without music. This darkness attaches to Alexei. From Boston, it tracks him to the White Sea of Russia where the beluga whales sing at the bottom of the sea. It follows him to the summit of Mount Greylock.
GREYLOCK‘s book cover design is by award-winning Gina Casey (GinaCaseyDesign.com). This designer truly captured the story elements of secret truths, lies, and betrayals buried inside an all powerful lurking darkness. Thunder clouds bear down upon Greylock’s peak. Only through Alexei’s journey upon the brooding mass of Mount Greylock, can he confront his own dark reality and discover the true source of his music. Casey’s design emphasizes the grandeur and the gloom of the mountain—the rise and fall of the grey tones swaying and dipping, flowing like a symphony in itself.
This image of Mount Greylock is adapted from a photograph by William Tague (copyright permission from the Irene L. Tague Family Trust). William Tague was a photographer for the Berkshire Eagle (Eagle Eye) from the 1950s to 1990. His book of photography Bill Tague’s Berkshires can be found on Amazon.com. Mr. Tague’s original photograph is an intriguing play of energy and form, a memorable portrait of a stunning mountain possessing beauty and mystery.
Do you see the waves and swells, lifting and drifting at the forefront? Melville may have envisioned Greylock as a roiling white-capped mountain with a great white whale sailing its terrain. Alexei Georg says he sees the mountain “… rolling like a series of hunchbacks with secret clefts. Makes one wonder what secrets are buried here.”
October 15, 2015
… when the leaves fall.
Murder. Music. And the Phantasm.
Four murders in Boston, an intoxicating romance, beautiful betrayals and lies, and the flickering phantasmagoria. Inside the supernatural realm beats sinister music. Just ask violinists Paganini or Tartini about their deals with the devil for their virtuosity.
Pianist Alexei Georg harbors a dark secret—he finds an old Russian sonata in a 19th-century sea chest. When Alexei plays this handsome music, a creature of darkness appears in the audience, in the aisle, and on the stage with him. This is no ghost. This faceless menacing presence follows Alexei from Boston’s music society to the White Sea in Russia, where Alexei seeks the songs of the beluga whales for a symphony. There, a Siberian shaman “sees” the trilling black entity clinging to Alexei’s soul. Hunted and desperate, Alexei goes to live on the summit of Mount Greylock, fleeing the suspicion of the Boston murders. But he cannot flee the unstoppable sonata he has delivered into this world. Alexei must find a way to halt the dark force within the music, or become prisoner to its phantasmagoric power in an ever-expanding abyss.
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